Unless you were largely cognisant during the late 90s, it's very hard to get across to you just _how_ bristling with positive energy computing was back then, just **look** at this opening screen, it screams "ARE YOU READY TO LEARN MOTHERF*CKER?!".

It has dolphins, in the clouds. How many smartphone apps welcome you with dolphins in clouds?

#encarta #90s #retrocomputing

Opening screen to Encarta '95. It bristles with positive edutainment energy, known as "Utopian Schoolastic" — Open image attachment ⁨1⁩ of ⁨1⁩
Opening screen to Encarta '95. It bristles with positive edutainment energy, known as "Utopian Schoolastic"
en

Replying to @⁨dfstarshine@icosahedron.website⁩

@dfstarshine I believe, in practice, that the style simply comes from digital-typesetting. It finally became possible to print books with full colour digital images anywhere in the page. That had been either prohibitively expensive or impossible in the past, and I think it lead directly to Utopian Scholastic’s design elements of disparate items combined together on the page. Education books no longer had to be boring and digital photo manipulation allowed designers to play with layout in a way they hadn’t been able to before with manual / photo-typesetting

Replying to @⁨dfstarshine@icosahedron.website⁩

@dfstarshine It’s understated just how big of a shift in such a short amount of time digital publishing was. People who had been working in print publishing for decades were used to linotypes and “paste ups” where, if they wanted text to flow around an image, they physically cut out lines of text and positioned them by hand.

To go from that to having a Mac, Aldus PageMaker, a CD of stock photography and a copy of Photoshop utterly changed the rules on what was possible and how much the designer could play with it. There was reason to be optimistic there.

Replying to @⁨Kroc@oldbytes.space⁩

@Kroc @dfstarshine
And yet, my earliest website designs were wild and very creative, having no standard out there, we created sites that were more unique then. Now, though there are tools are infinitely better, websites are dull, filled with ads, poorly edited because of infinite scrolling, have little that isn’t some version of something you’ve already seen a million times. It’s boilerplate banality now. It occupies people’s time instead of engaging it.

Replying to @⁨Kroc@oldbytes.space⁩

@Kroc

It always fascinates me when someone points out how new iterations of technology removes shackles that everyone had sort of internalised as "that's just how it is".

See also: The concept of a glass teletype and how that changed the world of communications, or Image Recognition + Machine Learning, that has made it possible for researchers to use massive datasets consisting of millions of source images, instead of having to painstakingly digitize tens of images by hand.

@dfstarshine

Replying to @⁨Kroc@oldbytes.space⁩

@Kroc I was fully cognisant then and I remember those days well!

Unrelated but here’s the artwork from another late 90s thing, Mike Oldfield’s The Millennium Bell.

Spot the difference 😅😅

A surreal, cosmic‑themed album cover shows a large metallic tubular bell floating at the centre, with the words “THE MILLENNIUM BELL” written across it. Around the bell, a collage of colourful objects drifts in a bright blue, star‑speckled space: planets, butterflies, sunflowers, guitars, a microphone, a dolphin, an astronaut, and melting clocks reminiscent of Dalí. Spheres and abstract shapes float in the background. — Open image attachment ⁨1⁩ of ⁨1⁩
A surreal, cosmic‑themed album cover shows a large metallic tubular bell floating at the centre, with the words “THE MILLENNIUM BELL” written across it. Around the bell, a collage of colourful objects drifts in a bright blue, star‑speckled space: planets, butterflies, sunflowers, guitars, a microphone, a dolphin, an astronaut, and melting clocks reminiscent of Dalí. Spheres and abstract shapes float in the background.

Replying to @⁨Kroc@oldbytes.space⁩

@Kroc that's true but almost the whole infrastructure is corrupted and way beyond the point of "losing its innocence".
Therefore places like the Fediverse are important! Content because of people, not because of content itself, because of scam, empowering the rich, making people hate each other, making more money, winning polls, spreading shit, making people addicted and sick...
Give this sh*t back to the Nerds! 😃👾

Replying to @⁨Kroc@oldbytes.space⁩

@Kroc I prompted CoPilot to generate a modern version with "modern issues and subject matters" and this is what I got.
Fairly dystopian, including the Mad-Max-tank-mobíl, that seems to have snuck in.
Quite depressing actually.

An AI generated mock modern, retro-futuristic Encyclopedia CD cover or splash screen depicting four major quadrants all well blended, in the top left is a blue montage of earth, space, wind farms and solar panels, in the bottom left is protestors holding placards on climate action and justice, a mother with a headscarf cradles a baby, while a boat full of refugees encounters stormy waters, in the bottom right, a hacker works with computers, a scientist or medic dressed in PPE holds a syringe, and a bitcoin symbol floats next to a mock stock market line. In the top right a soldier stands Infront of a possibly war torn city with two drones overhead and a tank in the middle background is quite a confused composition with car, rail and ship elements. At the top is half chopped off all caps text banner "Encyclopedia 95" — Open image attachment ⁨1⁩ of ⁨1⁩
An AI generated mock modern, retro-futuristic Encyclopedia CD cover or splash screen depicting four major quadrants all well blended, in the top left is a blue montage of earth, space, wind farms and solar panels, in the bottom left is protestors holding placards on climate action and justice, a mother with a headscarf cradles a baby, while a boat full of refugees encounters stormy waters, in the bottom right, a hacker works with computers, a scientist or medic dressed in PPE holds a syringe, and a bitcoin symbol floats next to a mock stock market line. In the top right a soldier stands Infront of a possibly war torn city with two drones overhead and a tank in the middle background is quite a confused composition with car, rail and ship elements. At the top is half chopped off all caps text banner "Encyclopedia 95"