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The fifth part has an asterisk: Access can still be denied for physical copies, too. The Crew proved this, not to mention all the old G4WL CD titles which are effectively paperweights because their DRM is defunct and there’s no crack yet for a lot of them if there ever will be any, and as for BD movies, in theory the studios could revoke AACS keys for a given group of media and render those media into coasters as well.

Audio CDs are DRM-free at least so they’re pretty much immune to that, but if Sony had their way with their rootkit DRM and didn’t get successfully sued over it, audio CDs would be DRM-encumbered too, thankfully they didn’t get their way and did get successfully sued over it so audio CDs remain DRM-free to this day so you could rip them to FLAC and do as you wish with that lossless copy; transcode it to a lossy codec such as Opus or Ogg Vorbis, make additional copies of the lossless copy, etc.

The fifth part has an asterisk: Access can still be denied for physical copies, too. The Crew proved this, not to mention all the old G4WL CD titles which are effectively paperweights because their DRM is defunct and there’s no crack yet for a lot of them if there ever will be any, and as for BD movies, in theory the studios could revoke AACS keys for a given group of media and render those media into coasters as well.

Audio CDs are DRM-free at least so they’re pretty much immune to that, but if Sony had their way with their rootkit DRM and didn’t get successfully sued over it, audio CDs would be DRM-encumbered too, thankfully they didn’t get their way and did get successfully sued over it so audio CDs remain DRM-free to this day so you could rip them to FLAC and do as you wish with that copy.

The fifth part has an asterisk: Access can still be denied for physical copies, too. The Crew was proof of this, not to mention all the old G4WL CD titles which are effectively paperweights because their DRM is defunct and there’s no crack yet for a lot of them if there ever will be any, and as for BD movies, in theory the studios could revoke AACS keys for a given group of media and render those media into coasters as well.

Audio CDs are DRM-free at least so they’re pretty much immune to that, but if Sony had their way with their rootkit DRM and didn’t get successfully sued over it, audio CDs would be DRM-encumbered too, thankfully they didn’t get their way and did get successfully sued over it so audio CDs remain DRM-free to this day so you could rip them to FLAC and do as you wish with that copy.

The fifth part has an asterisk: Access can still be denied for physical copies, too. The Crew was proof of this, not to mention all the old G4WL CD titles which are effectively paperweights because their DRM is defunct and there’s no crack yet for a lot if them if there ever will be any, and as for BD movies, in theory the studios could revoke AACS keys for a given group of media and render those media into coasters as well.

Audio CDs are DRM-free at least so they’re pretty much immune to that, but if Sony had their way with their rootkit DRM and didn’t get successfully sued over it, audio CDs would be DRM-encumbered too, thankfully they didn’t get their way and did get successfully sued over it so audio CDs remain DRM-free to this day so you could rip them to FLAC and do as you wish with that copy.